Photographing Holland, Minnesota, a small town Joe Hubers lived in as a kid, and what's changed since.

Behind the scenes of Killing It, a narrative feature in post-production starring comic Zach Dresch.

Photographing a destination wedding at Sea Ranch on the northern California coast, shot on a Leica SL2.

A pickup shot for Killing It near Wasta, SD, and a stop to photograph the west river towns along the way.

Photographing western South Dakota on Kodak Portra 800 medium format film, revisiting familiar places and finding new ones.

Photographing Oahu, Hawaii on a Leica M240, and thinking through what it'd mean to leave South Dakota behind.

Photography and film work shown at the Norse Art Space in Sioux Falls as part of the exhibition Nowhere Specific, alongside artist Tim Rickett.

Photographing small towns across South Dakota, and thinking through the tension of calling this state home.

Notes and photographs from a trip to Taos and Santa Fe, New Mexico, shot on Kodak Tmax 400 and a Leica M240.

Photographing the small towns of Belvedere, Philip, and Cottonwood, SD, on medium format and 35mm slide film.

Visiting an estate sale in search of old family photographs, and finding an odd mix of death, nostalgia, and capitalism instead.

Behind the making of a branded film for Ox & Bull, a men's accessories brand, exploring how legacy carries through generations.

Movements A-D, a four-track EP under the name Fictional Character, with a music video for Movement B.

Three meditative short films made to promote Joel Pickard's new album, Satellite.

A short film for the Farm & Rural Stress Hotline, a free, confidential support line for farmers and ranchers facing stress and anxiety.

Some Other Place, a self-published photo zine of 35mm and medium format photography documenting a quiet, pandemic-emptied Sioux Falls.

A short documentary on artist Anna Youngers, shot on 16mm film, Arri and Black Magic digital, and medium format stills.

A day trip along South Dakota's West River, shot on 16mm film and medium format stills with Dalton Coffey.

Five rolls of Kodak Ektachrome 100, shot on a Father's Day road trip through small towns and country highways.

Frame grabs from an unreleased music video, shot as DP on the Arri Amira with uncoated Zeiss Super Speeds.